PRESS
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"Lakshay and Aayush have been acknowledged as one of the greatest cultural motivators and icons for the younger generation"
MILLENIUM POST, DELHI
"Lords of the Strings"
THE HINDU, BANGALORE
"The two young protégés are the first Indians to perform at The Grammy Museum, Los Angeles"
TIMES OF INDIA May 1, 2015
"From a music conference in Boston to The Grammy Museum in Los Angeles--Lakshay and Aayush Mohan have come to be known as the harbingers of Indian classical music."
INDIA TODAY May1, 2016
"The young Lakshay Mohan and Aayush Mohan, two brothers playing sitar and sarod, hailing from the Maihar Gharana are well-known amongst the music fraternity and art connoisseurs. music fraternity and audience."
THE HINDU May 11, 2016
"They have been touring the US for the last month and have enthralled audiences at reputed classical music festivals in various cities with their Sitar-Sarod duets. "
The TIMES OF INDIA May 1, 2015
"This dynamic duo is striving to completely change the concept of Indian Classical music in India and abroad. Their experimentation with different forms of music have made them extremely popular amongst all audiences."
SAKAAL TIMES August 2, 2016
“A trio comprising of Lakshay Mohan on Sitar, Aayush Mohan on Sarod and Barry Phillips on Cello””
LOS ANGELES WEEKLY
“They impressed with their serious musical attitude and no-nonsense approach””
THE HINDU August 3, 2012
"They mesmerized listeners with Raga Bihag and Zila Kafi"
ASIAN AGE< October 5, 2010
The bothers bring about a harmony through the collective sounds of their Sitar & Sarod"
DECCAN CHRONICLEJuly 26, 2016
““The brothers bring about a harmony through the collective sounds of their Sitar & Sarod””
““A trio comprising of Lakshay Mohan on Sitar, Aayush Mohan on Sarod and Barry Phillips on Cello””
““Lakshay Mohan and Aayush Mohan are gaining popularity for their jugalbandis””
““They impressed with their serious musical attitude and no-nonsense approach””
““Synchronised Magic”
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““They have evolved their unique style of playing Jugalbandi”
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““It was particularly satisfying that they made no attempt to play up to the gallery by showing off unnecessary virtuosity though their “taiyari” and neat phrasing was there for all to see...””
““Sitar and Sarod Jugalbandi between Lakshay Mohan Gupta and Aayush Mohan Gupta, mesmerized the gathering of music aficionados””
““The Antaranga Hall of Bharat Bhawan was reverberated with a fine melange of melodious tunes of sitar and sarod. The young sitar and sarod players presented an out of the ordinary jugalbandi which captivated the audience””
““Treble treat on strings””
““Accompanied by Pt. Ram Kumar Mishra on the tabla, they mesmerised listeners with Raga Bihag and Raga Zila Kafi””
““In the typical maihar style they went for a systematic presentation leaning towards the Dhrupad””
““They created a magical atmosphere””
““Their structural treatment in ragas belies their age””